My practice revolves around the genesis of resonant organs, exploring new senses and queer
techniques of fluidity. I find myself layered in between production and reproduction. This intervention
is a somatic and cultural migration. I am working with software outputs and digital metaphors (AR, AI,
projection and videos) to picture stills of cyborgs, enabling an embodied data perception. While
feedback loops from different devices are active the information is canalized but also dispersed and
diffracted, resulting in images of concentration and diffusion. My research is about technological
extensions and how biology uses inorganic inputs to structure itself.